Playhouse. Originally a long-running play on Broadway, ‘Animal Crackers’ is best known for the 1930 movie version, considered by many to be the finest example of the pun-filled, language-assaulting, physically offbeat comedy that the Brothers Marx made a career of. The play, with songs by George S. Kaufman, also gave the Brothers Marx a tune they would become inextricably associated with: the aforementioned, Hooray for Captain Spaulding, a goofy prog-pop extravaganza containing one of Groucho’s indelible signature lines, ‘Hello, I must be going.’

The 6th Street production uses the Broadway script, so if you know the movie well, prepare for a bunch of bits and songs that were cut from the show when it was adapted for the screen.

As Captain Spalding, played famously by Groucho, Jeff Coté gives an uncanny impersonation, from the painted mustache and active eyebrows to Groucho’s joyously twisty-turny dance moves. As the larcenous musician Emanuel Rivelli, aka Chico Marx, David Yen is delightful, blending mischievous enthusiasm with a confidently trouble-making underpinning of potential danger.

Watching Yen and Coté toss famously outrageous one-liners back and forth is one of the show’s chief pleasures.
“That’s a-not a flash, that’s a fish!”

Well, that’s in the show.

Also, expect a slightly sinister Harpo Marx, who, in the inventive, elastic-faced hands of actor Erik Weiss, is less an imitation of Harpo than a free interpretation of the goofily creepy Professor character he played in ‘Animal Crackers.’

Don’t expect Weiss to play the harp, though. In a conspicuously desperate and clunky homage to Harpo’s musicianship, director Craig Miller — who otherwise brings a parade of inventive ideas and cleverly inspired bits to the show – basically throws the brakes on the show as we in the audience watch Weiss, as Harpo, hanging out watching a movie of the real Harpo playing a tune.

That probably should have been cut.

On the other hand, Craig introduces a brilliant second act bit in which John Rathjen – absolutely superb in two supporting roles – steps out in his underwear to sing ‘Keep Your Undershirt On’ while putting on the costume of the marvelously droll butler Hives, nicely dueting with a similarly negligeed Jacinta Gorringe, as the marriage-minded matron Mrs. Rittenhouse.

Also excellent, in duel supporting roles, is Abbey Lee, quick-swapping outfits and wigs as Mrs. Rittenhouse’s hot-to-trot daughter Arrabella and as the scheming neighbor Mrs. Whitehead. Lee, along with the aforementioned Rathjen, commands some of the show’s best musical moments, supported by a fine onstage orchestra under the direction of Justin Pyne, and some nice choreography by Joey Favalora.

Unfortunately, many of the other voices in the cast often fail to soar or blend, unless, of course, one of the faux Mark Brothers is involved. To Tell the Truth, it’s hard to know whether Coté and Yen are singing well or not, because they sound so much like Groucho and Chico, and – like the rest of this overlong but frequently hilarious, beautifully and affectionately nostalgic show – are so stitch-in-the-side funny, nothing else really matters.

‘Animal Crackers’ runs Thursday-Sunday through September 18 at 6th Street Playhouse,

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